Works of Baroness Emma Orczy Read online

  The Collected Works of

  BARONESS EMMA ORCZY

  (1865-1947)

  Contents

  The Scarlet Pimpernel Series

  The Novels

  THE EMPEROR’S CANDLESTICKS

  IN MARY’S REIGN

  THE SCARLET PIMPERNEL

  BY THE GODS BELOVED

  I WILL REPAY

  A SON OF THE PEOPLE

  BEAU BROCADE

  THE ELUSIVE PIMPERNEL

  THE NEST OF THE SPARROWHAWK

  PETTICOAT GOVERNMENT

  A TRUE WOMAN

  FIRE IN STUBBLE

  MEADOWSWEET

  EL DORADO

  UNTO CÆSAR

  THE LAUGHING CAVALIER

  A BRIDE OF THE PLAINS

  THE BRONZE EAGLE

  LEATHERFACE

  LORD TONY’S WIFE

  A SHEAF OF BLUEBELLS

  HIS MAJESTY’S WELL-BELOVED

  THE FIRST SIR PERCY

  THE TRIUMPH OF THE SCARLET PIMPERNEL

  NICOLETTE

  PIMPERNEL AND ROSEMARY

  SIR PERCY HITS BACK

  MARIVOSA

  A JOYOUS ADVENTURE

  A CHILD OF THE REVOLUTION

  THE SCARLET PIMPERNEL LOOKS AT THE WORLD

  THE WAY OF THE SCARLET PIMPERNEL

  SIR PERCY LEADS THE BAND

  MAM’ZELLE GUILLOTINE

  THE WILL-O’-THE-WISP

  The Short Story Collections

  OLD HUNGARIAN FAIRY TALES

  THE CASE OF MISS ELLIOTT

  THE OLD MAN IN THE CORNER

  LADY MOLLY OF SCOTLAND YARD

  THE LEAGUE OF THE SCARLET PIMPERNEL

  CASTLES IN THE AIR

  UNRAVELLED KNOTS

  SKIN O’ MY TOOT

  ADVENTURES OF THE SCARLET PIMPERNEL

  IN THE RUE MONGE

  The Short Stories

  LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER

  LIST OF SHORT STORIES IN ALPHABETICAL ORDER

  The Autobiography

  LINKS IN THE CHAIN OF LIFE

  The Delphi Classics Catalogue

  © Delphi Classics 2016

  Version 1

  The Collected Works of

  BARONESS EMMA ORCZY

  By Delphi Classics, 2016

  COPYRIGHT

  Collected Works of Baroness Emma Orczy

  First published in the United Kingdom in 2016 by Delphi Classics.

  © Delphi Classics, 2016.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

  Delphi Classics

  is an imprint of

  Delphi Publishing Ltd

  Hastings, East Sussex

  United Kingdom

  Contact: [email protected]

  www.delphiclassics.com

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  The Scarlet Pimpernel Series

  Novels

  The Scarlet Pimpernel (1905)

  I Will Repay (1906)

  The Elusive Pimpernel (1908)

  Eldorado (1913)

  Lord Tony’s Wife (1917)

  The Triumph of the Scarlet Pimpernel (1922)

  Sir Percy Hits Back (1927)

  A Child of the Revolution (1932)

  The Way of the Scarlet Pimpernel (1933)

  Sir Percy Leads the Band (1936)

  Mam’zelle Guillotine (1940)

  Short Story Collections

  The League of the Scarlet Pimpernel (1919)

  Adventures of the Scarlet Pimpernel (1929)

  Secondary Books

  concerning ancestors/descendants of the Scarlet Pimpernel

  The Laughing Cavalier (1913)

  The First Sir Percy (1920)

  Pimpernel and Rosemary (1924)

  The Novels

  Orczy’s first home in Tarnaörs, Heves County, Hungary

  Heves County, Hungary

  Tarna river in Tarnaörs

  Emmuska Orczy as a young girl

  THE EMPEROR’S CANDLESTICKS

  The Emperor’s Candlesticks was first published in 1899, shortly after the author had given birth to her only son. Orczy was the aristocratic daughter of a Hungarian composer and Countess mother; she left Budapest as a child and travelled to Brussels and Paris where she studied music. When she was fifteen, the family moved to London and she began attending Art School where she met her future husband. Orczy produced art that was considered good enough to be exhibited at the Royal Academy in London, although it did not bring her either fame or fortune. While Orczy had an aristocratic background, her husband was an illustrator and writer that earned very little money and, as a result, she decided it was necessary for her to begin writing in order to provide more financial security for the family. Unfortunately, The Emperor’s Candlesticks, Orczy’s first novel, proved to be unsuccessful and was not received as the author had hoped or anticipated.

  However, in 1937 it was adapted for film, starring two major actors of the period, William Powell and Luise Rainer. A romantic thriller set in the late nineteenth century, the novel concerns two spies that attempt to transport messages from central Europe into Russia via candlesticks. One is an idealistic anarchist and socialist, while the other is a Russian agent, working for the state to suppress any revolutionary action. It is clear the author viewed revolutionaries as dangerous extremists and that she had little sympathy with socialists or anarchists. In the conclusion to the novel she stresses the importance of sublimating political endeavours in the pursuit of personal and individual aspirations.

  The first edition

  CONTENTS

  CHAPTER I

  CHAPTER II

  CHAPTER III

  CHAPTER IV

  CHAPTER V

  CHAPTER VI

  CHAPTER VII

  CHAPTER VIII

  CHAPTER IX

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER XIII

  CHAPTER XIV

  CHAPTER XV

  CHAPTER XVI

  CHAPTER XVII

  CHAPTER XVIII

  CHAPTER XIX

  CHAPTER XX

  CHAPTER XXI

  CHAPTER XXII

  The 1937 film adaptation

  CHAPTER I

  Gay, chic Vienna was en fête. What would you? Shrove Tuesday is the very last day, allowed by our Holy Mother the Church for revelry, before the long austere forty days of Lent, and if we do not make use of her full permission to enjoy ourselves, to the full extent of out capacity, we shall have nothing left to atone for to-morrow, when the good fathers place the cross of ashes on our foreheads, and bid us remember that dust we are, to dust return.

  Therefore Vienna was drinking the overflowing cup of pleasure to-day; had been drinking in it in its gaily lighted streets and boulevards, and was now enjoying its last drops at the opera ball, the climax to a carnival that had been unusually brilliant this yea
r.

  And in the hall, where but two nights ago the harmonious discords of Wagner’s “Niebelungen” had enchanted and puzzled a seriously-minded audience, to-night Pierrots and Pierrettes, Fausts and Marguerites, nymphs, fairies, gnomes and what-nots chased each other with merry cries and loud laughter, to the sweet tunes of Strauss’ melodious, dreamy waltzes; while the boxes, each filled with spectators eager to watch, though afraid to mingle in the giddy throng, showed mysterious dominoes and black masks, behind which gleamed eyes rendered bright with suppressed excitement at the intoxicating spectacle below.

  “Come down, fair domino, I know thee,” whispered a richly dressed odalisque, whose jewelled mask could not outshine the merry twinkle of her black eyes beneath. She had placed one dainty hand on the ledge of a pit tier box, in which two black dominoes had sat for some time, partially hidden by the half-drawn curtains, and had watched the gay throng beneath them for some half-hour or so, apparently unnoticed.

  The taller of the two dominoes bent forward, trying to pierce the enterprising houri’s disguise.

  “Nay! if you know me, fair mask, come up to me, and let me renew an acquaintance that should have never been dropped!”

  But she had once more disappeared as swiftly as she had come, and the black domino, whose curiosity was aroused, tried vainly to distinguish her graceful figure among the glitter of the moving crowd.

  “I wonder our sober dresses succeeded in drawing that gay butterfly’s attention,” he said, turning to his companion, “and what her object was in speaking to me, if she did not mean to continue the causerie.”

  “Oh, it is the usual way with these gay Viennese bourgeoisies,” replied his companion; “your Imperial Highness has been sitting too much in the shade of that curtain, and the odalisque thought your obvious desire to remain hidden an object of interest.”

  The taller domino now lent forward in the box, his opera-glass glued to his mask, eagerly scanning the crowd; but, though numerous Moorish and Turkish veiled figures passed backwards and forwards, he did not recognise the enterprising odalisque among them.

  “Look not for the good that lies far away when the best is so close at hand,” whispered a mocking voice, close to his elbow.

  The black domino turned sharply round, just in time to catch hold of a little hand, which had crept round the column, that separated the box in which he was sitting, from the adjoining one.

  “The best is still too far,” he whispered; “is it unattainable?”

  “Always try to obtain the best,” replied the mocking voice, “even at the risk of scaling the inaccessible walls of an opera-box.”

  “I cannot get to thee, fair mask, without momentarily letting go this tiny hand, and it is never safe to let a bird, even for a moment, out of its cage.”

  “Black Domino, we often must risk the lesser to obtain the great,” said the odalisque maliciously.

  “I entreat your Imperial Highness to remain here,” said the second domino imploringly; “you are here incognito: I am the only one in attendance on you Highness, and––”

  “All the more reason why it should be possible, for one brief moment, for a Tsarevitch to do as he likes,” retorted the taller domino laughingly.

  And, before his companion had time to add another word of warning, the young man had, with the freedom which King Carnival always allows at such a time and in such places, climbed the ledge of the box, and scrambled with youthful alacrity into the one that contained his mysterious bright-eyed houri.

  But alas! for the waywardness and fickleness of the daughters of the East, no sooner had the black domino safely reached terra firma once more, after his perilous climb, than the swift opening and shutting of a door told him but too plain that the will-o’-the-wisp wished to evade him yet again.

  What young man is there, be him prince or peasant, who would have allowed so mocking a game to be carried on at his expense. Nicholas Alexandrovitch, son and heir to the Tsar of all Russias, remembered only that he was twenty years of age, that he had come to the opera ball, accompanied by that dry old stick Lavrovski, with the sole purpose of enjoying himself incognito for once, and … he started off in hot pursuit.

  The passage behind the box was quite empty, but in the direction leading to the foyer, some fifty yards, distant, he distantly caught the sight of a swiftly disappearing figure, and the heels of the prettiest pair of Turkish slippers it had ever been his good fortune to see.

  The foyer was, at that late hour of the night, a scene of the most motley, most picturesque confusion. Assyrian queens were walking arm in arm with John Bulls, Marguerites were coquetting unblushingly with gallants of some two centuries later, while Hamlets and Orthellos were indulging in the favourite Viennese pastime of hoisting their present partners on to the tallest pillars they could find, with a view to starving them out up there, into a jump some ten or twelve feet below, when they would perforce land into the outstretched arms of their delighted swains.

  And very pretty these tall pillars looked, thus decorated with living, laughing, chatting figures of v Ivándières, Pierrettes–ay, and of sober Ophelias and languishing Isoldes. But the black domino heeded than not; darting hither and thither, taking no notice of cheeky sallies and rough bousculades, he pushed his way through the crowd towards one spot, close to the entrance, where a special little jewelled cap was fast disappearing through the wide open portals, that led into the gaily lighted place beyond.

  The odalisque had evidently either repented of her audacious adventure, or was possessed of an exceptionally bold spirit, for without a moment’s hesitation she ran down the stone steps, taking no further heed of the jesting crowd she was forced to pass through, or of the two or three idle masks who accosted her, and also started in pursuit.

  Having reached the bottom of the steps she seemed to hesitate a moment, only a second perhaps–was it intentionally?–but that second gave Nicholas Alexandrovitch the chance he had for some time striven for; he overtook her, just as she laid her hand on the door of a fiaker which has drawn up, and lifting her off the ground as if she were a feather, he placed her inside, and sat down in front of her, hot and panting, while the coachman, without apparently waiting for any directions, drove off rapidly through the ever noisier and gayer crowd.

  CHAPTER II

  All this had excited little or no attention among the bystanders. How should it? An opera ball teems with such episodes.

  Two young people, one in pursuit of the other–a signal–a handy fiaker, et voilà! Who cares? Everybody is busy with his own affairs, his own little bits of adventure and intrigue.

  Surely that grey domino over there, standing under one of the fine electric light chandeliers, could have no interest in the unknown odalisque and her ardent swain, for he made not the slightest attempt at pursuit; yet his eyes followed the fast disappearing fiaker, as long as it was recognisable amidst the crowd of vehicles and mummers. A young man he was; evidently not anxious to remain incognito, for he had thrown back the hood of his domino, and held the mask in his hand.

  Yet though he thus, as it were, courted recognition, he visibly started as a soft musical voice, with the faintest vestige of foreign intonation, addressed him merrily.

  “Why so moody, M. Volenski? Have Strauss’ waltzes tired out your spirits, or has your donna eloped with a hated rival?”

  The young man pulled himself together, and forced open his eyes and thoughts to wander away from the fiaker, which now appeared as a mere speck, to the graceful figure in front of him, who owned that musical voice and had called him by name.

  “Madam Demidoff!” he said, evidently not pleasantly surprised.

  “Herself,” she replied, laughingly; “do not assume an astonishment, so badly justified. I am not a Viennese grande dame, and coming to an opera ball is not the most unpardonable of my eccentricities.”

  “Yes! but alone?”

  “Not alone,” she rejoined, still merry, “since you are here to protect me from my worst perils, and l
end me a helping hand in the most dire difficulties.”

  “Allow me to start on these most enviable functions by finding your carriage for you,” he said, a trifle absently.

  She bit her lip, and tried a laugh, but this time there was a soupçon of harshness in the soft foreign notes.

  “Ah, Iván, how you must reckon on my indulgence, that you venture so unguardedly on so ungallant a speech!”

  “Was it ungallant?”

  “Come, what would your judgement be on a young man, one of our jeunesse dorée, who, meeting a lady at the opera ball, offers, after the first two minutes, to find her carriage for her.”

  “I should deem it to be an unpardonable sin, and punishable by some nameless tortures, if that lady happens to be Madam Demidoff,” he said, striving to make banal speeches to hide his evident desire for immediate retreat.

  She looked at his keenly for a minute, then sighed a quick, impatient little sigh.

  “Well, call my carriage, Iván; I will not keep you, you obviously have some pressing engagement.”

  “The Cardinal––” he began clumsily.

  “Ah! his Eminence requires your attention at so late an hour?” she said, still a little bitterly.

  “his Eminence is leaving Vienna to-morrow and there are still many letters to answer. I shall probably be writing most of the night through.”

  She appeared content with this explanation, and while Volenski gave directions to one of the gorgeous attendants stationed outside the house to call Madam Demidoff’s carriage, she resumed the conversation in a more matter-of-fact tone.

  “his Eminence will be glad of a holiday after the trying diplomatic business of the past few weeks; and you, M. Volenski, I feel sure have also earned a few days repose.

  “The Cardinal certainly has given me two or three weeks’ respite, while he himself goes to Tyrol for the benefit of his health.”